Behringer Xenyx X1622USB Mixer with USB and Effects

Behringer has a plethora of mixers, often with just minor differences between nearly-identical models. For my needs, this particular model (X1622USB) hits the sweet spot.I use small-format mixers in a variety of situations, so I need a lot of flexibility. In particular, I need separate volume controls for the main left and right outputs, and high resolution level meters. This mixer meets these needs — so that's a start.In addition, it gives me four, independently-controllable output channels (Sub 1 and 2, and Main left and right) which I can use for various purposes.One good example of how I use this is for hybrid Zoom meetings, where I use the Left Main output as the send-to-Zoom mix, and the Right Main output as the house mix, and can control which input channels feed which output channels (see YouTube videos about "mix minus" setups for Zoom hybrid meetings).The monitoring system is (finally for Behringer mixers) flexible and understandable. I can use the level meters to check or monitor the levels on any input channel (using the solo feature), or on any pair of busses. This is great.As usual with Behringer mixers the Aux and FX channels, and their input and output jacks, and their various knobs and buttons, are intricately interconnected in non-intuitive ways, that are not documented in the manual. After a huge amount of trial and error experimentation I have figured most of it out (and written my own "manual" for those parts), and to some extent the features are useful — but I strongly feel that Behringer should have documented these things clearly in the manual. This is a failing of all the many Behringer mixer manuals I have read.Another huge disappointment is the inflexibility of the USB interface. It would be a huge benefit if each channel from the USB interface had its own fader, and could be switched to any desired bus, but no — they route to the main L and R busses with no independent volume control. This is a crippling lack. The USB sends are similarly crippled. I almost invariably have to ignore the built-in USB interface and use an external one, connected to the analog jacks as needed. What a waste.The built-in effects engine I never use. I've never needed reverb or echo, etc. for any of my applications. For me, things like a graphic or parametric equalizer, or a feedback eliminator, would be far more useful.Bottom line is that I get a lot of functionality that I need, at a very competitive price, with some quirks and inadequacies that I can for the most part ignore.

One of the best mixers what I even have , my old one was 20 years old and it was time to upgrade it . Thank you

Excellent service rating for the seller. Item was shipped and arrive sooner than expected.The mixer definitely is worth the price. In fact it is a steal for all of the features it provides. It mates to the Mac Pro workstation perfectly. Sorry PC owners I can't comment on how it interfaces with a PC.The size is just perfect for a 16 channel mixer.All I need is a pair of monitors and sub to finish off my workstation. :-DI went an unconventional route when it came to an audio interface. Instead of buying a traditional two channel audio interface I purchased the Behringer DEQ 2496. This thing is awesome and it has a ton of features you will NOT find in any other interface period! Of course this is not an audio interface, it is actually a digital signal processor. This little puppy has the following features:24-bit/96khz mastering processor61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization31-band graphic EQ10-band parametric EQFeedback Destroyer plus 3 Dynamic EQs per stereo channelDigital I/O - AES/EBU, XLR or ToslinkAnalog XLR (L & R channels) inputs and outputsIf you want the total flexibility in digital I/O, and you have Toslink optical input and output ports I would seriously look into a DEQ2496 as an audio interface - its sooo much more. Just buy two optical cables and plug it into the back of your Mac Pro and the DEQ2496. This takes care of porting the analog signals from the mixer to the Mac. Then plug the mixer to the DEQ2496 via a pair of XLR cables and the rest is music bliss. :-DHere is a link to additional information on the DEQ2496 - How to use and setup:[...]Happy mixing...

I got this mixer for a startup podcast I'm working on. With this board, I can connect at least 4 XLR mics and many other input devices using the other input jacks. The quality seems good, its well made, sturdy. Its perhaps not the most intuitive to figure out, especially with the USB connection. My issue was that I wanted to use an RCA input from my iphone (which this board supports), but if you are connecting the board to your PC via USB, the RCA input audio is not output to the USB connection. So your recording will hear you talking, but it won't hear the RCA input audio. Thats kind of a bummer to me. To work around this I bought an audio cable that lets me connect the 3.5mm audio out on my iphone to the 1/4" jacks on one of the other inputs. This way the audio is treated like any other input and you can mix it into the master audio or aux, which does get output to USB.The effects generator is a bit confusing to use, but thats likely just an issue with me the user, as I'm new to this. It does work and the quality seems very good.I'm also thrilled at the high quality audio I'm getting through this mixer and the mics I bought. With a variety of cables and adapters you get quite a flexible range of options for input and mixing. This is probably overkill for what I want to do, but I'm very pleased with the results so far. The only thing missing as far as I can tell is the ability to give each input mix a return audio mix minus their own input. There doesn't seem to be a way to do that on this mixer. Otherwise, I'm totally happy with it.