Product Description Winner of the prestigious Golden Palm at the Cannes Film Festival (1976) and nominated for 4 Academy Awards including Best Picture (1976), TAXI DRIVER stars Robert De Niro in Martin Scorsese's classic film of a psychotic New York cabbie driven to violence by loneliness and desperation. Co-starring Jodie Foster, Albert Brooks, Harvey Keitel, Peter Boyle and Cybill Shepherd. Set Contains: The commentary by screenwriter Paul Schrader occupies less than half of the film's total running time, but Schrader's comments are wide-ranging and richly informative regarding the origins of the film's titular character Travis Bickle, why Schrader chose that name for the character ("a clash of romantic and harsh"), the necessity of favoring images over words, collaborating with Scorsese and Robert De Niro, and various matters of theme, character, and dialogue. Also included is the full-length commentary by University of Virginia media studies Professor Robert Kolker (author of the acclaimed book A Cinema of Loneliness), who brings an academic depth of analysis to the film, with emphasis on composition, structure, repeated motifs and images, and the visual and thematic influences of Hitchcock (especially Psycho), John Ford (The Searchers), Jean-Luc Godard, and Rainer Werner Fassbinder. With additional details relating to production history and Scorsese's other films, Kolker's commentary is the next best thing to attending a master's class on Taxi Driver. A handy interactive feature allows viewers to seamlessly view the film itself and the corresponding pages of Schrader's original screenplay. Three hours of special features include with "Scorsese on Taxi Driver" (16:52), in which the director discusses the origins of the project (fellow director Brian De Palma brought Schrader's script to Scorsese), the personal impact of the material, proving his skills to producers Michael and Julia Phillips (and thus securing financing from Columbia), and various other aspects of production. In "Producing Taxi Driver" (9:53), Michael Phillips relates the process of discovering Schrader's screenplay, attracting Scorsese as director, getting the film green-lit by Columbia, assuming the role of on-set producer (while his wife, the late Julia Phillips, served as studio liaison), and appreciating the film's critical and commercial success and long-term influence. In the fascinating 21-minute featurette "God's Lonely Man," Prof. Kolker examines the loneliness themes that dominate the film, and Schrader discusses the personal hardships that led him to write the screenplay during a two-week stay in an ex-girlfriend's empty apartment in Los Angeles. "Influence and Appreciation" is an 18-minute tribute to Scorsese, featuring interviews with De Niro, Oliver Stone (a student of Scorsese's at NYU film school), Roger Corman (producer of Scorsese's early feature Boxcar Bertha), Cybill Shepherd, Albert Brooks, Jodie Foster and others. In the 22-minute featurette "Taxi Driver Stories," several past-and-present New York taxi drivers share colorful anecdotes about driving cabs in the 1970s, the way the industry has changed since then, and the various pleasures and difficulties of driving taxis in New York City."Making Taxi Driver" is a 70-minute documentary carried over from the 1999 single-disc Collector's Edition. It remains the definitive documentary about the film's production, featuring interviews with all of the primary cast and crew including cinematographer Michael Chapman and legendary make-up effects master Dick Smith. "Travis' New York" is a six-minute featurette about the state of New York (especially Times Square) during the Taxi Driver era of the mid-1970s, featuring interviews with former New York mayor Ed Koch and others. "Travis' New York Locations" is a split-screen comparison feature showing then-and-now footage of nine Taxi Driver locations from 1975 (when the film was shot) and 2006. (You'll be surprised by some of the differences, while other locations remain almost completely unchanged). In a 4-minute introduction, Scorsese discusses the vital importance of his original storyboards (in terms of on-set preparedness, etc.), and the "Storyboard to Film Comparison" (8:20) clearly demonstrates how the director's crude yet well-organized drawings were (in most cases) precisely translated into cinematic images. When using the "Play All" option, the photo galleries run as a 9-minute slide-show arranged in four categories (Bernard Herrmann's Score, On Location, Publicity Materials, and Scorsese on Location). --Jeff Shannon (This review refers to the 2007 Two-Disc Collector's Edition, which shared much of the same bonus features as this release.)
O**E
"The days go on and on. They don't end."
Essentially a treatise by writer Paul Schrader on pathological loneliness and PTSD, "Taxi Driver" goes deep into the numbingly boring yet emotionally painfilled and completely socially disconnected life of taxi driver Travis Bickle. We follow him down a rabbit hole of his own making leading to increasingly disturbed behavior and onto the final blood bath. So dark and violent in its day, Scorsese had to edit some shots and desaturate the blood color of the climatic shoot out scene just to avoid an "X" rating by the censors. Today, it would be a fairly standard "R" rated film for language and some violence, ha! It shows a coal black, seedy and amoral 70's New York City mostly at night. The images haunt the viewer, and we know that nothing good is coming down the line with this narrative. Part of this feeling of tension and foreboding is enhanced by the stunning score by the great Bernard Herrmann. It's a masterful mixture of smooth, jazzy themed elements with discordant, howling blocks of chords sounding almost like a horror film at times. The score becomes another full character of the movie. Sadly, Herrmann passed away literally hours after he finished it and never saw the released film. The film is dedicated in his honor. Another thing to note is the almost movie stealing work of a 12-year-old Jodie Foster as Iris, the like aged prostitute. Detailing in interviews years later how uncomfortable and awkward it was being on the set playing her role and interacting with the fellow male actors yet she still somehow managed to put on a stunning portrayal of hardened, street wise bluntness with an almost childlike humor and vulnerability. It is truly amazing to watch. Even Scorsese himself steps out of the director's chair and into a scene as one of Bickle's fares. It is an extremely chilling interaction and further contributes to Bickle's disintegrating mental state.Colombia does itself proud with the 4K Dolby Vision release of this film. Restored from the original camera negative the video quality just oozes with the grainy, grimy color saturated world of nighttime 70's New York City. Detail is abundant. Grain is wonderfully present and textural. Blacks are deep with no crush. Neon signs pop with the HDR giving a garish eye dazzling experience. The DTS-HD MA 5.1 audio track is quite atmospheric delivering a sense of "street" sounds as well as the unforgettable sonics of Herrmann's score and clear easy to understand dialog. There's lots of interviews, documentaries and behind the scenes extras on both the 4K disc as well as the included SD Blu-ray disc. This is a must own for all lovers of American neo-noir films and belongs in just about anyone's physical media collection. It will haunt you well after the credits roll.
C**Y
Good gift!
Nice set!
B**Y
High praise for the blu ray of Taxi Driver
TAXI DRIVER is an iconic film, considered by many to be a masterpiece and the crowning achievement of both Martin Scorsese and Robert DeNiro. Whatever your opinion this is a powerful film that starts strong and never lets up that has also stood the test of time. Everything in the movie is done so realistically that the story could still be told today. Robert Deniro plays Travis. We know little about him other than that he is an ex marine and a deep insomniac. He also sees the world as a dirty place that needs to be cleaned up. He becomes a taxi driver in the city of New York which takes on a realistic role of its own here. We see the two sides of everything and the same goes for New York. Nothing is held back on showing the realistic gritty underside of the city.But what of the transfer of this movie classic to blu ray. Seems like all the classics are being brought to blu ray, some more succesfully than others. The questions are always how does it look, is it an improvement over the dvd and does it bring the film to new life. TAXI DRIVER was the first film to receive an enhanced 4k restoration and what it does is perform magic on a decades old film. The video presentation is purely amazing. It is funny for when the film starts the Columbia logo is very fuzzy and then the movie starts. It is clear, crisp with colors strong. The film is very definitive in that scenes are either nighttime or daytime, dark or light. The blacks and dark colors are brilliant and all color ratios amazing. Whites contrast perfectly. No matter what the scene everything pops. The night scenes are very realistic and when colors are introduced they are vibrant and real. Nothing is overenhanced. Instead the film looks the way it must have when released originally in theaters. It is leaps and bounds over any dvd version. The climactic scene at the end is brought to new devastating life with this new restoration. Flesh tones are also perfect. Blu ray is put to amazing use here restoring this classic film to all its glory. The graininess here is meant to be here. It represents New York City in full detail. And the audio is just as perfect. The DTS 5.1 audio allows the amazing soundtrack to fully blossom and soar over the entire film. The score here tells the story as much as any character or visual. And dialogue is strong and present. Nothing is wrong here. The film itself is told in a way that it is open to many different interpretations but the blu ray itself needs no debate. It is spectacular. I will reiterate again. The film looks as pure and original as when in the theaters restored to its true glory. Do not hesitate to double dip if you own the dvd. This blu ray shows the movie as a whole new experience. I give this blu ray my highest recommendations.
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