Eastern Boys

Eastern Boys rounds up Ukrainian immigrants and places them in a sensual home invasion thriller. The Gare du Nord, Paris. A group of Eastern European “toughs” work the streets, searching for wealthy businessmen to invite them back to their lavished apartments. Daniel, a white-collar worker, notices a young “minor” he finds attractive, Marek. Eerily following his footsteps until he encounters him. Cornered. They exchange address details, arranging a time for a meet. The next evening, Daniel prepares himself and the apartment for Marek’s arrival. Polo shirt. Denim jeans. White sneakers with laces tied tightly. The phone rings. “It’s Marek”. “Come on up”. A gentle knock on the front door echoes around the polished abode. Daniel nervously unlocks the entrance, but what waits on the other side will change his life forever.Campillo’s dramatic thriller has an unpredictable direction that maintains an unforgiving ambience throughout. Amalgamating two opposing classes of society into an eventful invasive situation that tests the boundaries of both parties involved. Daniel taunted for his repressed homosexuality by the entity that invites themselves into the apartment. Helpless to the scenario that crudely unfolds. The next morning arrives. Daniel, silenced by the aftermath, encounters Marek again. Clouded with guilt or exploiting Daniel further? Marek confidently applies himself to the prostitution that was promised originally. Daniel hesitates but proceeds.What follows for the remaining runtime is a “Good Samaritan” narrative, with Daniel granting Marek a chance at embellishing the adult world without restrained by the impoverished limitations of immigrants living in hotels under the jurisdiction of social-services. Campillo insightfully provides a harrowing portrait on France’s uncontrollable level in immigration whilst intricately crafting a tender relationship in the process that challenges the maturity levels of both individuals. The thematic veneers that Campillo layers upon the furnished walls of Daniel’s apartment, astonishes upon every nail-biting turn provided in his screenplay. Every sparse line of dialogue. Every nullified murmur of displeasure. From teaching Marek the French vocabulary of body parts to Marek himself detailing his war-torn past to a befuddled Daniel. The script provokes a monumental amount of care from each character. Not love, but supervision.What initially commences as a protruding thriller unravels to become a mature drama perceiving change. How one well-intentioned soul can provide an opportunity for a less fortunate individual to better themselves and integrate their intuition into a society that discards them. Replenishing a system that accepts immigrants by granting them a life they can lead. Not trapped by the confinements of four walls that surrounds these helpless souls. Campillo also illustrates loveless intimacy, with Marek offering himself to Daniel for a few euros, amplifying the modern issues of gay culture in general. The explicit scenes of sexual nature were difficult to watch given the circumstances these characters find themselves in, highlighting an insufficiency and inadequacy between the two of them.It’s an incredible piece of cinema that relies on character intervention and sublime direction. Fortunately Rabourdin and Emelyanov produce two of the finest performances queer cinema has to offer. The dimensionality they provide in every situation, from awkward conversations to the conclusive rescue mission, is outstanding. Manifesting pure yet flawed souls into their performances. Rebotini’s score occasionally overwhelmed the dramatic endeavours on screen, but supplied a hefty bass during the initial home invasion sequence. Notable praise must be awarded to Lapoirie’s gorgeous cinematography. She utilised the confined environment around her to accentuate the thrills of both the first and third act. Even a simple shot of the neighbouring apartment blocks, day or night, contributed to the class segregation theme that Campillo deftly analysed.The only noticeable criticism was with the chapter titles acting as transitions between human drama and unpredictable thrills. Their abrupt tonal alterations unfortunately felt out of place and less seamless than removing them entirely. It may liken the feature to a journal, yet hinders the pacing occasionally.Oscillating between genres is no easy achievement, however Campillo’s versatility proves that it can be done without regressing the feature. Eastern Boys is a testament to thematic cinema. Embedding a surplus of apt themes into a tender character-driven bond that rarely treads through cliches. Powerful, palpable and quite simply near-perfect. Eastern Boys proves that, when given the chance, we can take control of our lives for the better.

Quirky, gritty, takes time to get into the main action, but in the end it delivers a compelling view of problems that are besting Western Europe with regard to the cross border movement of people. At first I thought it was going to be a love story, but it turns out to be something very different and that is what makes the watchable. Will not spoil the story line but the lead actors gave very sensitive performances and which developed as the film progressed. May not not be a film for everyones taste, but for the expose of life as it is today in certain quarters it is well worth viewing.

It's hard to justify the glowing reviews this film has got. The lead character Daniel makes so many poor life choices throughout the film, that he evokes no sympathy, or empathy, whatsoever.WARNING SPOILERS: Firstly, he gives his home address to a complete stranger who he knows, after 'stalking' him around a train station, is a gang member & prostitute. Then he stands idly by and does nothing while his home is invaded and looted (he has ample opportunity to raise the alarm). And after that he decides to have a relationship with said gang member & rent boy! I could go on, but I think I would be ruining your chance to say 'WTF?', just as I did.Good films should evoke emotions in the viewer, but increasing frustration as an extremely slow story unfolds, should not be one of them. Other than the good photography (even if there are a lot of shots with little or no dialog), there's not a lot to recommend this film for.

Didn't enjoy it as it is a rather dark suspense movie, but extremely well acted and an unusual story line. Somewhat slow, but perhaps needed to be to allow the characters and relationships to develop. If I'd known what the film was going to be like I would not have chosen it. But others of course may like this genre.

A thought provoking story.To be honest, at first it made me feel uncomfortable. Without spoiling the plot too much, a middle age man picks up a rent boy in Paris. Yes, we have been here before, but this is different.The boy is part of a gang and what continues is a roller coaster ride of emotions for both the 'customer' and the recipient.If you can try and see through the uncomfortable scenes early on, and watch the film to the end, you wont be disappointed.Something rare in this genre of films - a happy ending, well almost.Watch it and find out !!!!

A bit of a slow-burner a the start and had me thinking where's the subtitles, but a good story once it got going. Now days after watching it my mind is still drifting back to it which is a sign of a good film.

Great atmosphere and tension builds up during this film - the performances are excellent on all levels. The film has a steady pace but comes to an explosive ending. Well written and has the feel of a documentary as the story is so natural. Your spine tingles as the story unfolds and you feel like shouting at the screen - - be careful, this could end in tears......

A good film - not as expected, but shows the problems we still have with eastern Europe. Well acted by them all, and quite mesmerising.