Monsoon

You can tell that Preston School Of Industry is really trying to be good (after all, it's made up of ex-Pavement members), but they just somehow manage not to be. The problems lie with the singer and the music itself. The music tends to be catchy yet somewhat unlikable - they won't stick in your head. The overall "sound" of the album is just not very pleasant (the production isn't that good). The musicianship is pretty solid and clean, but it still manages to push you away. You can tell, however, that they at least can create a good hook. The singer is also not very good - he could certainly use work. The lyrics tend to be extremely hard to make out and aren't really worth your time anyway (it's pretty generic and pointless). The saving grace here is that at least every song is catchy. They have some potential, but they definitely need to work on things more. This is only for indie pop fans, and they probably might not like it. Not recommended.Highlights include:the entire album is "decent"

Most people who don't like Spiral Stairs, it would seem, primarily criticize him on the grounds of Stephen Malkmus. Thus, I am going to start by clearing this up: Malkmus was the creative heart of Pavement. Malkmus was the primary songwriter. Malkmus defined the direction of the band. And he is a better songwriter. It is hard to disagree with any of these statements. And for anyone trying to review a Spiral Stairs CD, it is a waste to even try.........But why not this? It's almost an innovative idea, because it never seems to happen, but why not pretend that Spiral Stairs and Malkmus have no connection to each other in terms of their careers? Or if they do, then it's that they were both members of the best band of the 90s........ a distinction that they can both claim in common.That said, now let's look at the squire outside of the shadow of the knight, so to speak. The way he deserves to be seen in order to get a fair shake. This done, Preston School of Industry's Monsoon comes out as a pretty darn good album. There are no tricks or gimmicks, no smoke and mirrors. The songs are no more complicated than Pavement contributions like "Date with Ikea" or "Kennel District." But they don't have to be, because they drive. They are convincing. They are examples, in fact, of what musicians with average voices who play three or four chords in repetitive, uninteresting ways can do with a little bit of passion.The first three songs are exemplary of the "less is more" trend of this album. Not to mention the cursed name again...... but it's really great that Spiral knows he is not Malkmus and does not try to be him, nor anywhere close. His feet planted on the ground, he starts us off with three pretty-contagious anthems. The music is big and clumsy, slightly countrified. The chord progressions are irresistible pop. The singing is half-mumbled and self-assured. And the lyrics are pleasantly potent...... starting from "I don't care where you go as time goes awry."I feel like in some way a lot of Spiral's songs are about, or at least reflect Pavement.......and Malkmus. One definitely heard this on All That Sounds Gas...... particularly in "Whalebones" -- a direct reference to driving home the old Pavement tour bus after the final show. But while this song was a lamentation, not to mention full of venom (Malkmus got a sarcastic nod with "genius headed home again" -- well deserved for the way the breakup was handled), Monsoon features a much more positive take on the Pavement experience, which Spiral understandably can't seem to shake. "The Furnace Sun" is Spiral's version of Neil Young's masterpiece, "Thrasher" -- with its declaration of independence from bandmates who bummed out, and resolution to die in the sun rather than stop playing and creating."Walk of the Gurl," meanwhile, is widely interpreted as an ode to Malkmus. I thought that "Monkey Heart & the Horse's Leg" was about Malkmus too........ and if so, since that song, Spiral has come to terms. Villain or not, Malkmus -- once called the Fred Astaire of indie -- is given his due here for the "walk and the swirl." The image is quite attractive and complimentary, accompanied by seven layers of instruments piled into one perfectly constructed pop song -- to me the best song by any post-Pavement member. But even as he praises Malkmus, Spiral again declares independence. "Towers are edged to the sky, hopefully I will see them someday" Spiral says of his rival's contributions to music, one would guess, before mumbling something that sounds like "didn't know he had the rights"..... The rights to writing music. The rights to post-Pavement greatness. If I interpret at all correctly, here, Spiral says "You may be great, Steve.... But I can play too, for better or for worse." Maybe a message to the critics who panned his first album on that altar of Malkmus rather than Malkmus himself.Not much new ground is broken past this. Most of the songs fall into the same sunny category, with few real standouts. "So Many Ways" adds a pretty piano melody and graceful sulk to the mix. "Tone It Down" is a nice understated acoustic finisher. And when all is said and done, what one has is an album that few -- even critics -- find unpleasant. A nice summer CD. Good background music to be happy to.So, given that it holds its own, why does this album get panned as much as praised? Because of Malkmus. The fact that he exists. The critics are too busy kissing the ground he walks on to give credit to the #2.......But to me #2 is pretty darn heroic. There is nothing wrong with being #2. All That Sounds Gas overdid it in places, but Monsoon seems like a record that Spiral was proud to make. The kind of record that he is good at making. And the kind of record that actually fills a unique place in the Pavement and post-Pavement pantheon, as a pure chill record to break up the relentless flow of ideas.... Kind of like Spiral Stairs songs did in the old days........ This said, here I have to bring back the Spiral-Malkmus comparison for just a minute and say that, all told....... I think Monsoon is better than Pig Lib. Who ever thought? Who would allow himself to think it?

people, i am here to give some band algebra. since some people below seem to be sorta confused. if pavement was led zep, then steve malkmus is more grateful dead and preston school of industry is more lynard skynard. steve malkmus likes the trippy wawa noodly dynamics of a good grateful dead jam. he mixes this with pop and makes "stephen malmkmus and the jicks" albums. scott kannberg likes the rootsy bluegrass vibe like lynard skynard. but he mixes them with pop to make preston school of industry. what does it sound like? pavement. pavement, like zeppelin, covered enormous amounts of ground, blues, folk, rock, jazz, stomp, punk, metal or whatever. you get the drift. compare "fool in the rain" to "dazed and confused". well some of pavements songs were more steve M. and some were more scott K. if you liked most of pavements work, then there is a good chance that you will like half of these songs VERY much and wish they were mixed together on a disc with your favorite songs from steve malkmus' new album with the jicks. then you would almost have the new pavement album. some people just work well together, like kim deal and frank black of the pixies, it just works. well, steve and scott worked amazingly well together, and we will not have any more true pavement moments unelss they are together again. so until then, those who like pavement will REALLY like some of these songs. for those who need a fix and havent heard of it yet. get the silver jews "american water" its a necessary steve malkmus recording that rivals some of the best pavement. now you know, and knowings half the battle.