JANE AUSTEN AT HOME

This study of Jane Austen's life not only makes her novels clearer and also illuminates some of the decisions made by recent film makers.

I love Lucy Worsley - her documentaries and books. They are always very informative and entertaining. This book is no exception. It flows well and gives us a lot of information about Jane Austen, her life, family and friends. I was totally engrossed by the book.

WORSLEY, Lucy, “Jane Austen at Home - a biography”, Hodder, 2017, ISBN: 978-1-473-63220-2, paperback, 483 pages. Living near Winchester, the Austen home, Steventon, Jane’s house at Chawton, the flat (in which she died aged forty-one) in Winchester, Bath and many other “Austen” places, 2025 is the year of Jane Austen. There are regency fashion shows, dances, open days, many new books and a host of “Austen themed” events. Having written this in 2017, Worsley - a careful and thorough researcher and historian - stole a march on all of them; currently (May, 20250) she is touring a lecture, based on this book (and others) in which she shows mastery of her subject, as well as being entertaining and fun. Worsley expands on the Jane Austen many think they know, i.e. the main places and ideas extrapolated from Austen’s books and films; she depicts an everyday life which is far from the grand balls and mansions, one in which struggles of various kinds were her life - financial, being a female author, dependence on others, flirtations and life at the time - in other words a human being. In 1806, Mrs Austen and daughters travel to Hamstall Ridware, Staffordshire (leaving a flirtation behind) to meet Jane’s cousin, Edward, a clergyman who had just had a book or sermons published. “She certainly did not enjoy the sermons themselves, describing them as getting ‘fuller of Regeneration & Conversion than ever’ and later volumes appeared. Edward’s son was an irritating mini-version of the author himself, a ‘second pompous Sermon-Writer’. “Jane certainly turned against her brimstone-y cousin on this visit, hoping on future occasions that he would leave the bereaved alone and ‘not send one of his Letters of cruel comfort’ to a widower. To add injury to insult, Edward Cooper’s eight children all got the whooping cough, and passed it on to Jane too. “As they left Staffordshire, though Jane and Cassandra and their mother all kept a live a desire they might benefit from the will of the Honourable Mary.” (P 269) Benefits from wills did not materialise as Jane and family had hoped but this short extract raises a few issues clearly, e.g. how far the Austens travelled (by uncomfortable carriage), dependence of her family for money, publishing “ease” for males, sources of characters for Jane and her freely expressed point of view. (It seems Cassandra burned many of Jane’s papers and letters in which her views were expressed in blunt terms. An aspect of her life in which I am interested is the relationship and inter-action with her publishers, the business side not only because it reveals so much about women’s lives at the time but because it would shed light on why the Austens always appeared to be “short of money”. Given Austen’s later international success, it seems surprising (bot no more than Van Gogh, Mozart, Beethoven and many other artists whose “overnight success” was “wrought by a lifetime of gruelling, not well-paid or recognised effort. (In Kathryn Sutherland’s 2025 “Jane Austen in 41 Objects”, she chose the front door of 50, Albermarle Street, London, the renowned publishing house of John Murray, publisher of Byron, Walter Scott, Robert Southey, Tom Moore and many others. She gives little insights. Worsley also open a couple of commercial doors, beginning on page 347. Austen had been published by Thomas Egerton, a specialist military publisher. “‘We [various other publishers] are particularly interested in the success of Austen’, wrote a rival publisher at Longman, ‘and we sincerely regret that her works have not met with the encouragement we would wish.’” (P 347) Worsley comments Jane had “fallen into the hands of Thomas Egerton”, the military publisher. Jane’s attempts to publish “Emma” with Egerton met with “success”; “He liked it, and again wanted to buy the copyright. But he did not offer her quite enough money.” It seems her undoubted skill as an author was recognised by many (including Jane herself who seemed to know her worth) but the commercial world was tough, even then. Worsley opens Murray’s, 50 Albermarle Street front door slightly, to reveal Murray’s trusted reader’s good opinion of “Emma” (and Austen’s writing). “John Murray made a bold offer of £450 for “Emma”. But, to Jane, it looked far less attractive, especially when it became clear he also wanted the copyright of “Mansfield Park” and “Sense and Sensibility” thrown in as well.” (P 348). Jane, it seems, could drive a hard bargain too. From the page above, Worsley focuses on Jane’s visits to London (1811, 1813, 1814, 1815), her publishing decisions; although not much commercial information is available, Worsley utilities the details well. My journey to central London now from Austen territory is around ninety minutes “on today’s roads” in a fast car but, for Austen, it must have been so much longer, more challenging and uncomfortable. However, in an aside, Worsley mentions that Louis Simond, a French visitor of her time pointed out that for such a journey “In France, the people of the provinces used to make their wills before they undertook such an expedition” not, as in Jane’s case, “on a whim”. This, and other asides from the main point, make Worsley’s biography of Jane Austen a must for every bookshelf, especially in this important year - 2025. For anyone interested in or studying Jane Austen’s life, time and literature, this is an ideal source written in a very accessible style by a thorough historian. For students, the book ends with a lengthy list of sources, a bibliography, notes and acknowledgements. Recommended.

Tolles Buch, die Autorin erzählt über das Privatleben der berühmten Jane Austen, der literarischen Nationalheiligen der Briten. Nach unzähligen Biographien und vielen, vielen TV-Dokus kann man zwar fragen: Warum schon wieder eine Biographie. Aber diese hier ist wirklich anders: witzig, geschrieben, bürstet viele Geschichten, viele vermeintliche Wahrheiten gegen den Strich und stellte eine neue These auf: Jane Austen mag zwar gewusst haben, wie die upperclass gelebt hat, sie selbst jedoch wusste, wie hart Leben ohne großem Einkommen sein kann. Das Buch empfehle ich: - Lesern, die gerne flüssige Texte haben, die dennoch viel Tiefe bieten - Schülern die sich aufs Abi vorbereiten, wer dieses Buch lesen kann, schafft jede Klausur -allen, die sich für Frauenleben im 18. und 19. Jahrhundert interessierten - und, natürlich allen Jane Austen Fans!

While keeping it mostly objective, this biography is basically a love letter to Jane Austen herself. A precise work on which you can see the care and attention the author herself has put into it, this biography reads just as easily as the novels of the author it is about. By far, a great investment! Regarding covers and quality, it's a 10/10! The paper quality is great, the hardcovers are lovely and the jackets do place you in the mood of those romantic landscapes we all think of when we are first presented to any of Jane Austen's works.