

๐ฌ Crack the code of storytelling and never write a flat script again!
The Nutshell Technique by Jill Chamberlain reveals the 8 interconnected elements essential for successful screenwriting, demonstrated through 30 classic films. With a 4.6-star rating from over 670 reviews, this method helps writers move beyond mere situations to craft compelling, satisfying stories that resonate.
| Dimensions | 17.78 x 2.29 x 25.4 cm |
| Isbn 10 | 1477303731 |
| Isbn 13 | 978-1477303733 |
| Item Weight | 431 g |
| Language | English |
| Print Length | 224 pages |
| Publication Date | 1 Mar. 2016 |
| Publisher | University of Texas Press |
User
excellent
Great book - very well thought out and written - I highly advise doing the live classes with Gill too - everything makes even more sense then
User
A must buy!
I've tried various methods, tips and tricks over the years but nothing really stuck. For 20 years I've poked and prodded at ideas but never got out of first gear, until I tried this book! In actual fact I watched Jill on YouTube and her Nutshell technique spoke to me.The key here is she did the heavy lifting for me. She has developed a fantastically simple guide that walked me through the process of what exactly makes the secret sauce for a story. It helped me understand exactly WHY I loved movies like Groundhog Day and The Bourne Identity by 'Nutshelling' about 30 movies in the back of the book.To be clear, this isn't a book about outlining a story. It's a step before the outline where she tasks you to complete 8 things such as the characters flaw and how by the end a reversal must have happened. She explains why this reversal must happen along with other crucial things that MUST happen in order to create the most rounded and satisfying version of your story.My idea might still be rubbish but I can't blame the book! I loved it and give it 5 stars along with my full recommendation.
User
Great ideas, but needs editing
A wholly original and inspiring way of looking at 3 Act structure.But Jill Chamberlain repeats herself (sometimes word for word). A shorter, tighter book would have been even better.
User
In a Nutshell
very good book on screenwriting good visual way of explaining concepts. good value for money very recommendable.
User
A method that helps you create great stories on-demand
A must read for every screenwriter that wants to make movies that matter. It's 'the' book that has made it easy for a non-film person like me to gain critical insights, I likely would have been otherwise chasing for years.
User
AWESOME - BUY IT - Honestly will help you whatever your level..
This book is genuinely awesome. I left such a positive review title, as that's how I feel. :)The book does not push you in to any structure, in fact by keeping the points to follow very (big picture) view, you end up focusing on the strongest most important parts of your story and this frees you up to write much more creatively. The nutshell technique is there to help you make your story a better story. Im using it now on my feature screenplay. I was finding things tough before, as my protagonist is a 13 year old boy, but by using the book I am making much more progress.Good luck with your writing.. Mark. :)
User
Fantastic structural breakdown of what makes a story work
I came across Jill from an interview on YouTube and clicked with her straight-talking and confident style. I'm a fairly new writer and I'm looking to write for television (and hopefully film and novels at some point). I've come across a few structural breakdowns/how to's/helpful guides but Jill's ethos is the most stunning in its clarity. For an aspiring writer, established writer or simply someone who enjoys stories/films, this is a brilliant book. The walkthrough/talk throughs are engaging and the examples are a brilliant resource. For me I could see not only why I love the films I do but why (Groundhog Dog and The Matrix in particular). There is a hidden art and this book is a great way to finding the way. It can't and won't do all the hard work for you if you aspire to write (as I do) but it's a wonderful pointer. I can't praise the material enough.
User
Best screenwriting book Iโve ever read
I love this book, Iโve read it in on a cold, raining, lockdown morning in the UK (yesterday). Itโs so well structured. I felt like it turned a little light on and Iโll be forever nutshelling films. Iโve read a lot of books on writing and this is the very very best. I urge anyone who has read a bit and decided the technique is too simple to actually put it into practise. It really gets you thinking. Itโs also highly reviewed by other writers. If I could give it 6 stars I would.
User
A must-buy for screenwriters
This is hands down in the top 3 of the most useful books for screenwriting. If you need a different POV on the matter, this is the best option. It is a fresh take on how to structure your script.
User
Very helpful book on structure
When I first read this book, it was like a light had been switched on. Now I'm rereading it as I write a new script, and I'm certain it'll be better than my previous ones. I recommend it to anyone looking to improve their skills on developing the protagonist, character arcs, and structure. An important book for the trade.
User
Muy interesante
Un enfoque diferente pero muy interesante, se aprende con su lectura
User
BEST "SCREENWRITING TECHNIQUE" BOOK EVER!
I just finished Jill's book โThe Nutshell Techniqueโ and I am speechless by the quality of her technique! I am soooo glad I read your book before writing my script. I am a beginner but her book is a revelation for me and I know it will improve my script soooo much! Many thanks Jill! Greetings from France. Kathleen.
User
You may feel like you're reading an instruction manual on how to put ...
You may feel like you're reading an instruction manual on how to put together furniture at times. The prose is often mechanical and redundant; you don't get the flare or humour of Snyder, or the comprehensiveness (and stuffiness) of a McKee. But guess what? That's what is good and refreshing about this book. Chamberlain's level of specificity on her subject matter is something you don't get with the other screenwriting books. She has distilled all that is good with Aristotle down to its essence, readily comprehensible to the modern reader. And she's added some great insights and specificity to otherwise "fuzzy" beats. For instance, other gurus have variously described the Act I break in an elementary way as: "where the goal is established" or "where the conflict is set" or "where the central dramatic question" is posed. These are fine, but frustratingly vague. Fortunately, Chamberlain gets detailed: the act break occurs when the character gets a "want" established early in the screenplay, BUT with a catch. This "catch" becomes the problem that your protagonist deals with as they catapult into Act II. Everything is linked, and your story is set up. Another example: the climax. It's defined in a couple of beats, which gives the writer a roadmap for organizing the catharsis for his'/her story. Protagonist makes a climatic choice, often around the 2nd act break, or very start of act 3, which serves to set up new conditions for the character to be tested in there new way of being, in their "final step" where they gain their strength or, if a tragedy, succumb to their character flaw. Anyways, that's just the tip of the good stuff you'll find in "The Nutshell Technique."
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