---
product_id: 608361497
title: "NUX DP-2000 8-Velocity Sensitive Independent Strike Percussion Pad with LED Lights, Digital Percussion Pad with UI Interactive Interface, Six On-Board Effects, Wavimport Function"
brand: "nux"
price: "AR$1256283"
currency: ARS
in_stock: true
reviews_count: 8
category: "Nux"
url: https://www.desertcart.com.ar/products/608361497-nux-dp-2000-8-velocity-sensitive-independent-strike-percussion-pad
store_origin: AR
region: Argentina
---

# USB-C port for WAV import & expansion 6 onboard customizable effects 8 velocity-sensitive strike pads NUX DP-2000 8-Velocity Sensitive Independent Strike Percussion Pad with LED Lights, Digital Percussion Pad with UI Interactive Interface, Six On-Board Effects, Wavimport Function

**Brand:** nux
**Price:** AR$1256283
**Availability:** ✅ In Stock

## Summary

> 🥁 Elevate your beats—where innovation meets rhythm.

## Quick Answers

- **What is this?** NUX DP-2000 8-Velocity Sensitive Independent Strike Percussion Pad with LED Lights, Digital Percussion Pad with UI Interactive Interface, Six On-Board Effects, Wavimport Function by nux
- **How much does it cost?** AR$1256283 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.ar](https://www.desertcart.com.ar/products/608361497-nux-dp-2000-8-velocity-sensitive-independent-strike-percussion-pad)

## Best For

- nux enthusiasts

## Why This Product

- Trusted nux brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Tailor Your Tone:** Six built-in effects assignable per pad or as BUS effects for immersive, layered rhythms.
- • **Seamless Integration:** MIDI ports and optional Bluetooth module unlock wireless streaming and app connectivity for modern workflows.
- • **Plug & Play Expansion:** Three ¼" inputs let you connect hi-hat and kick pedals, transforming it into a full mini e-drum kit.
- • **Limitless Sound Library:** Easily import WAV samples via USB-C to customize your sonic palette and stay ahead of trends.
- • **Precision at Your Fingertips:** 8 velocity-sensitive pads deliver dynamic, expressive percussion performance.

## Overview

The NUX DP-2000 is a compact, professional-grade digital percussion pad featuring 8 velocity-sensitive strike pads, a premium acoustic and electronic sound library, and six onboard effects. It supports WAV sample import via USB-C and external trigger inputs, enabling versatile expansion into a mini e-drum kit. Designed for seamless integration with MIDI devices and optional Bluetooth connectivity, it empowers drummers and producers to craft dynamic, customizable percussion performances anywhere.

## Description

NUX DP-2000 is a powerful integrated percussion pad. With its 8 velocity sensitive independent strike pads, the DP-2000 not only includes the high standard acoustic drum samples from our flagship DM-8 kit, but it also includes folk percussion and electronic sound samples. What’s more, you can expand your sound library by importing your own drum samples with a U disk. Additionally, the DP-2000 includes inputs for external triggers. Easily add a hi-hat pedal and external kick drum, making the DP-2000 a mini e-drum kit.

Review: Another awesome product from NUX - Sound quality is top notch. I have no issues playing on this edrum kit and just so you know. I purchased a second unit. A must for drummers who have no space in their room to play and use a headphone to make it sound as if you're in a concert hall. Again thank you so much for the an outstanding product that surpasses my addiction to drums.
Review: Well, that was frustrating. - I’ve spent about a week getting to grips with this multipad. How does it do? Let’s run down the essentials. Build quality: Quite good — the body is aluminum when most others use plastics of varying quality. Pad quality: The pads feel like thin silicone. Rebound is okay, but the pad feel is shallower and harder than on the Alesis, Roland, and Yamaha multipads. The triggering area is also much smaller than the pad surface; there’re multiple dead zones farther from the center of the pad. I suspect this was to eliminate crosstalk, but a larger strike area would’ve been welcome. Sound Quality: FX: The effects chain is intuitive and easy enough to use, but not quite as extensive as I’d like. There’s also not the flexibility to quickly toggle between different types of effects settings, which can be a pain if you’re playing something where your FX needs might change mid-song (or multiple times in a song). The one upshot is, because it’s an electronic kit, you can send your signal through a guitar effects pedal or multi-stomp and have more sound-shaping possibilities at your fingertips (or toes, as the case may be). Sound Quality: Patches: I’d rate the onboard sounds as fair to middling. Kicks and toms are generally the strong suit, with snares and cymbals being weaker links. Some of the non-kit percussion (bongos, opera gongs, and a couple of kits based on the 808 and 909) were surprisingly good, while a couple (like the cajon samples) left me scratching my head. Thanks to MIDI, however, you can play or trigger darn near anything, giving you plenty of options without having to even use the onboard sounds. But there’s a catch, as we’re about to see. Sensitivity: To begin with, sensitivity is set at 100, which is low (settings are on a 0-127 scale common to MIDI, but no matter how I adjusted I found it wasn't nearly sensitive enough. If, like me, you play with a lighter touch or want a bit more dynamic subtlety, you really have to whack it for your hits to register, which is distracting if you’re playing in a quiet setting (like providing backing in an otherwise unplugged setting). It’s also a pain because there’s no global setting; you have to set it pad-by-pad per kit, which is a time-consuming pain in the neck. I’d have preferred a quick-and-dirty global adjustment with the ability to tweak individual pads if/as needed. There’s something else worth noting that stems from the low sensitivity. Unlike the Yamaha DTM-12 or the Roland Handsonic series, you can’t really play this with your bare hands. Sampling: You can’t use the same number or length of samples here that you could use with a Roland SPD-SX, or even an Avatar HXW PD708. So you can get individual hits, or brief loops (there’s a 20-second limit), but if you want to trigger backing tracks, you’d have to MIDI out to a sampler or laptop and trigger from there, which cuts down on this multipad’s usefulness as a self-contained unit. Inputs: MIDI in, AUX in, and three controller/pad inputs. They’re mono ins, though, so you can’t run a pair of pads (or a two-zone snare pad, from what I can see) off those inputs unless you used a splitter to two of the available jacks and reassigned voices afterward (which is doable, but hardly an elegant way of doing things). Conclusion: When you put it all together, is it worth it? If you need a self-contained setup that’s inexpensive and capable of triggering full backing tracks, the Avatar looks like a better option on paper (especially since it has more pad inputs). The Yamaha’s getting long in the tooth, the Alesis has a lousy reputation for reliability, and while the Roland remains the industry standard, it’s spendy. So if you just need a little extra percussion in your setup, or if you have something to MIDI out to, it might be worthwhile, especially given the build quality, cost, and pretty good wired MIDI implementation. Would I do it again? In a word, probably not. It doesn’t have the dynamic control or range I prefer for my playing. What’s more, the self-contained kits aren’t good enough to make this a worthwhile purchase, because even if a similarly-priced competitor fell short, their considerably larger memory means you could easily find a sample library that filled in the gaps. This isn’t a terrible piece of gear, but it could’ve been so much better.

## Features

- 【High Quality Sound Library】A compact yet powerful integrated percussion pad with 8 velocity-sensitive pads. It features premium acoustic drum samples from our flagship DM-8 kit, plus folk and electronic sounds. Expand your library via USB, and connect external triggers like a hi-hat pedal or kick drum to transform it into a versatile mini e-drum kit.
- 【Strike Pad & Expansion】 Want to expand beyond the built-in pads? No problem! The DP-2000 features three ¼" (6.35mm) inputs for external triggers, allowing you to connect a hi-hat pedal, kick drum pedal, or additional triggers—transforming it into a compact yet powerful electronic drum setup.
- 【USB-C Port】 Effortlessly expand your DP-2000’s sound library using the built-in USB port—simply load your favorite drum and percussion samples onto a USB drive and get creative. The DP-2000 also supports WAV file playback directly from USB, making it perfect for performance or practice sessions. For added versatility, connect the optional NUX NB-F1 Bluetooth module (via USB-C) to unlock wireless audio streaming and Bluetooth MIDI functionality, giving you seamless integration with your favorite apps and devices.
- 【6 Built-In Effects for Dynamic Percussion Performance】 The DP-2000 comes equipped with six high-quality onboard effects, allowing you to customize your sound with precision. Assign individual effects directly to specific percussion pads for per-element control, or use the dedicated FX function to apply them as BUS effects across multiple pads—perfect for crafting immersive rhythms and layered textures.
- 【Expand Your Drumming Universe】 The DP-2000 fits effortlessly into any drumming setup—pair it with your acoustic kit onstage, or use its MIDI ports to turn it into a secondary brain for your electronic drums, unlocking new sounds and layers without compromising your workflow.

## Images

![NUX DP-2000 8-Velocity Sensitive Independent Strike Percussion Pad with LED Lights, Digital Percussion Pad with UI Interactive Interface, Six On-Board Effects, Wavimport Function - Image 1](https://m.media-amazon.com/images/I/51q8lFnqC1L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Another awesome product from NUX
*by R***A on November 24, 2024*

Sound quality is top notch. I have no issues playing on this edrum kit and just so you know. I purchased a second unit. A must for drummers who have no space in their room to play and use a headphone to make it sound as if you're in a concert hall. Again thank you so much for the an outstanding product that surpasses my addiction to drums.

### ⭐⭐⭐ Well, that was frustrating.
*by H***R on April 9, 2025*

I’ve spent about a week getting to grips with this multipad. How does it do? Let’s run down the essentials. Build quality: Quite good — the body is aluminum when most others use plastics of varying quality. Pad quality: The pads feel like thin silicone. Rebound is okay, but the pad feel is shallower and harder than on the Alesis, Roland, and Yamaha multipads. The triggering area is also much smaller than the pad surface; there’re multiple dead zones farther from the center of the pad. I suspect this was to eliminate crosstalk, but a larger strike area would’ve been welcome. Sound Quality: FX: The effects chain is intuitive and easy enough to use, but not quite as extensive as I’d like. There’s also not the flexibility to quickly toggle between different types of effects settings, which can be a pain if you’re playing something where your FX needs might change mid-song (or multiple times in a song). The one upshot is, because it’s an electronic kit, you can send your signal through a guitar effects pedal or multi-stomp and have more sound-shaping possibilities at your fingertips (or toes, as the case may be). Sound Quality: Patches: I’d rate the onboard sounds as fair to middling. Kicks and toms are generally the strong suit, with snares and cymbals being weaker links. Some of the non-kit percussion (bongos, opera gongs, and a couple of kits based on the 808 and 909) were surprisingly good, while a couple (like the cajon samples) left me scratching my head. Thanks to MIDI, however, you can play or trigger darn near anything, giving you plenty of options without having to even use the onboard sounds. But there’s a catch, as we’re about to see. Sensitivity: To begin with, sensitivity is set at 100, which is low (settings are on a 0-127 scale common to MIDI, but no matter how I adjusted I found it wasn't nearly sensitive enough. If, like me, you play with a lighter touch or want a bit more dynamic subtlety, you really have to whack it for your hits to register, which is distracting if you’re playing in a quiet setting (like providing backing in an otherwise unplugged setting). It’s also a pain because there’s no global setting; you have to set it pad-by-pad per kit, which is a time-consuming pain in the neck. I’d have preferred a quick-and-dirty global adjustment with the ability to tweak individual pads if/as needed. There’s something else worth noting that stems from the low sensitivity. Unlike the Yamaha DTM-12 or the Roland Handsonic series, you can’t really play this with your bare hands. Sampling: You can’t use the same number or length of samples here that you could use with a Roland SPD-SX, or even an Avatar HXW PD708. So you can get individual hits, or brief loops (there’s a 20-second limit), but if you want to trigger backing tracks, you’d have to MIDI out to a sampler or laptop and trigger from there, which cuts down on this multipad’s usefulness as a self-contained unit. Inputs: MIDI in, AUX in, and three controller/pad inputs. They’re mono ins, though, so you can’t run a pair of pads (or a two-zone snare pad, from what I can see) off those inputs unless you used a splitter to two of the available jacks and reassigned voices afterward (which is doable, but hardly an elegant way of doing things). Conclusion: When you put it all together, is it worth it? If you need a self-contained setup that’s inexpensive and capable of triggering full backing tracks, the Avatar looks like a better option on paper (especially since it has more pad inputs). The Yamaha’s getting long in the tooth, the Alesis has a lousy reputation for reliability, and while the Roland remains the industry standard, it’s spendy. So if you just need a little extra percussion in your setup, or if you have something to MIDI out to, it might be worthwhile, especially given the build quality, cost, and pretty good wired MIDI implementation. Would I do it again? In a word, probably not. It doesn’t have the dynamic control or range I prefer for my playing. What’s more, the self-contained kits aren’t good enough to make this a worthwhile purchase, because even if a similarly-priced competitor fell short, their considerably larger memory means you could easily find a sample library that filled in the gaps. This isn’t a terrible piece of gear, but it could’ve been so much better.

### ⭐⭐⭐ Used product
*by R***G on November 12, 2025*

I received the product, but it did not come in its original packaging and has a few scratches. It seems to be used one 😞😞😞

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*Product available on Desertcart Argentina*
*Store origin: AR*
*Last updated: 2026-03-08*