---
product_id: 1153711
title: "EF-S 55-250mm f/4.0-5.6 is II Telephoto Zoom Lens"
brand: "canon"
price: "AR$1005524"
currency: ARS
in_stock: true
reviews_count: 13
category: "Canon"
url: https://www.desertcart.com.ar/products/1153711-ef-s-55-250mm-f-4-0-5-6-is
store_origin: AR
region: Argentina
---

# 55-250mm versatile zoom range UD-glass element for sharpness 4-stop Optical Image Stabilizer EF-S 55-250mm f/4.0-5.6 is II Telephoto Zoom Lens

**Brand:** canon
**Price:** AR$1005524
**Availability:** ✅ In Stock

## Summary

> 📸 Zoom farther, shoot steadier, and stand out effortlessly.

## Quick Answers

- **What is this?** EF-S 55-250mm f/4.0-5.6 is II Telephoto Zoom Lens by canon
- **How much does it cost?** AR$1005524 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.ar](https://www.desertcart.com.ar/products/1153711-ef-s-55-250mm-f-4-0-5-6-is)

## Best For

- canon enthusiasts

## Why This Product

- Trusted canon brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Steady Shots, Always:** Canon’s 4-stop Optical Image Stabilizer lets you handhold slower shutter speeds down to 1/15s—perfect for low-light and fast-moving subjects.
- • **Crystal Clear Clarity:** UD-glass lens element minimizes chromatic aberration, delivering sharp, high-contrast images across the entire zoom range.
- • **Lightweight & Compact:** Weighing just 390g with a sleek design, this lens is your ideal travel companion for spontaneous creativity on the go.
- • **Zoom into Every Moment:** Capture distant action or intimate portraits with a powerful 55-250mm focal range, equivalent to 88-400mm on full-frame.
- • **Affordable Pro-Level Performance:** Get exceptional image quality and versatility without breaking the bank—trusted by thousands of photographers with a 4.7-star rating.

## Overview

The Canon EF-S 55-250mm f/4.0-5.6 IS II Telephoto Zoom Lens offers a versatile telephoto zoom range with advanced 4-stop Optical Image Stabilizer technology and a UD-glass element for superior image quality. Designed for Canon EF-S mount cameras, it delivers sharp, high-contrast photos with reduced chromatic aberration, all in a lightweight, compact form factor. Ideal for capturing distant subjects and low-light scenes, this lens balances professional features with affordability, making it a favorite among enthusiast photographers.

## Description

From the Manufacturer Incorporating Canon's Optical Image Stabilizer technology, this Canon 55-250mm telephoto zoom lens captures long distance, low-light shots far better than many comparable lenses, helping you photograph the far-off action of athletes or zoom in for an intimate portrait with a blurred background. The high-zoom-ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses). More significantly, the image stabilizer effect creates an equivalent shutter speed of roughly four stops faster than the same size lens without an image stabilizer. In other words, if the slowest shutter speed you can hold a 250mm lens steadily is normally 1/250th of a second, this Canon lens will let you hand-hold shutter speeds as slow as 1/15th of a second. The lens also boasts a UD-glass lens element to correct chromatic aberration to create excellent image quality throughout the zoom range. Delivering an excellent performance at an affordable price for all photographers, the 55-250mm lens carries a one-year warranty. Specifications Focal length: 55-250mm Maximum aperture: f/4 to f/5.6 Lens construction: 12 elements in 10 groups, including one UD-glass element Diagonal angle of view: 27 degrees (at 50 feet) to 6 degrees (at 15 feet), with APS-C image sensors Focus adjustment: DC motor, gear-driven (front focusing design) Closest focusing distance: 3.6 feet (0.31x maximum close-up magnification) Filter size: 58mm Dimensions: 2.8 inches in diameter and 4.3 inches long Weight: 13.8 ounces Warranty: 1 year This telephoto zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabilizer effect equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers. Product Description This telephoto zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabilizer effect equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers

Review: Great Value for a f4.0-5.6 lenss - I bought this lens at same time as the Canon T2i to pick up where the 18-55 kit lens leaves off, and have taken some very good photos with it. However, I learned taking photos at the Patriots vs Rams pre-season game that I will never get "pro" quality photos at night, not even at professional football games where the lighting is very good to ensure tv viewers get good visibility. Even with ISO at 1600 I was able to manage a shutter speed of only 400 at f5.6, not enough to get crisp shots of moving players. Shots taken when there was a slow down or pause in the action were very good, even at the above mentioned settings, but when the players were moving rapidly, the shots were a little soft. Post processing made them very satisfactory for personal enjoyment, but not for more more ambitious use. Earlier I might have given the lens a 4, maybe even a 3, because of my game experience, but since the game I have learned a lot about lenses and I now know that the relatively low-light photos I got were the best I could expect from this f4.0-5.6 lens. If I were going to shoot a lot of night sports, I would be saving for a 2.8 zoom lens, but they are very, very expensive for a good one. An f2.8 lens is a much faster lens than a 4-5.6 In day time settings, I have consistently gotten clear, sharp shots but have not yet tried shooting kiteboarders, something I enjoy doing. However, my expectation is that I will get good shots because I'll be shooting during the day and able to shoot at 800 at a minimum, more likely 1000. I have been practicing taking sports photos by photographing the batters in action for several local teams. Two of these games were in the late afternoon and I was shooting at 5 pm or later in October, meaning that light was becoming low. For these shots I put the camera in Tv mode and set the shutter speed at 1000. ISO was on auto and the camera was allowed to select the best ISO up to a maximum of 1600. At this time of day, even in the autumn light, I got very crisp shots. Many required some processing to improve exposure, but the results were very satisfactory because the subjects were sharp. People to whom I have shown the photos said they were "great". In summary, for what I do most of the time, this lens is excellent. And I really appreciate the image stabilizer. I can't imagine buying a lens without it since 98% of the shooting I do is hand held.
Review: Wonderful Lens for the Price! - 5 stars for the image quality considering the price! If you are looking for an inexpensive zoom lens, this is the one for you! After much research, it seemed that this lens was the best in my price range. No, it is not as good more expensive L lenses, but I think that would be expected. If you want the best, you have to be willing to pay for it. But the 55-250 gives excellent performance for under $300! We have lots of wildlife where I live, but I have never been able to get decent shots with my 18-55mm kit lens or 50mm because they don't reach the distance needed. Since I will be using my zoom lens less often and as more of a hobby, my budget was low...especially since I am looking to buy a prime lens for portraits where I hope to make money. I was not expecting too much because I was not paying for an L lens, but after using the 55-250mm for myself, I am extremely happy with it (considering what I paid for it), and very pleasantly surprised! I bought it over the 70-300mm because of the IS, and honestly, the extra 50mm wouldn't be worth it unless you used a tripod. The IS allows for handheld shots, which makes it great for a walk-around lens. It is plastic, but that means it is lighter than most other lenses of this focal length. Images with this lens are very crisp, and the bokeh is beautiful. At 250mm, you can easily capture birds in the trees and amazing close-ups of plants. I know some people have complained about slow auto focus, but that has not bothered me because I manual focus 95% of the time. You will probably need to correct color slightly in Lightroom, Photoshop, or GIMP, but I always edit my photos slightly anyways. I look forward to shooting even more with this lens! Overall, this lens is the best bang for your buck!

## Features

- Canon EF-S Mount (not compatible with full sensor DSLRs)
- Super Spectra coatings also help ensure accurate colour balance and sharp, high-contrast results
- Ideal for emphasising subjects shot against distracting backgrounds

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B0011NVMO8 |
| Best Sellers Rank | #186 in SLR Camera Lenses |
| Brand | Canon |
| Built-In Media | Lens |
| Camera Lens | Canon 55-250mm f4-5.6 is EF-S Lens |
| Camera Lens Description | Canon 55-250mm f4-5.6 is EF-S Lens |
| Color | black |
| Compatible Camera Mount | Canon EF-S |
| Compatible Mountings | Canon EF-S |
| Customer Reviews | 4.7 out of 5 stars 3,473 Reviews |
| Exposure Control Type | Automatic |
| Focal Length Description | 55-250 |
| Focus Type | Micromotor |
| Global Trade Identification Number | 00013803079371 |
| Image stabilization | 4 stops |
| Item Part Number | 5123B005 |
| Item Weight | 390 g |
| Lens | Telephoto |
| Lens Coating Description | Multicoated |
| Lens Design | Zoom |
| Lens Mount | Canon EF-S |
| Lens Type | Telephoto |
| Light Sensitivity | 100-6400 |
| Manufacturer | Canon Cameras US |
| Manufacturer Part Number | 2044B002 |
| Maximum Aperture | 5.6 f_stop |
| Maximum Focal Length | 25 centimeters |
| Maximum Shutter Speed | 1/15 |
| Media Type | ProductImage |
| Minimum Aperture | 32 f_stop |
| Minimum Focal Length | 5.5 centimeters |
| Model Name | 2044B005AA |
| Model Number | 2044B002 |
| Model Series | EF-S |
| Number of Diaphragm Blades | 7 |
| Number of Items | 1 |
| Photo Filter Size | 5.8 centimeters |
| Real Angle Of View | 27 degrees |
| Screen Size | 1 inches |
| UPC | 206977379051 013803079371 031961400011 |
| Unit Count | 1 Count |
| Viewfinder Type | Optical viewfinder |
| Warranty Description | 1 year limited |
| Water Resistance Level | Not Water Resistant |
| Zoom Ratio | 4.5:1 |

## Product Details

- **Brand:** Canon
- **Camera Lens Description:** Canon 55-250mm f4-5.6 is EF-S Lens
- **Compatible Mountings:** Canon EF-S
- **Focal Length Description:** 55-250
- **Lens Type:** Telephoto

## Images

![EF-S 55-250mm f/4.0-5.6 is II Telephoto Zoom Lens - Image 1](https://m.media-amazon.com/images/I/71SMyQEem7L.jpg)

## Available Options

This product comes in different **Customer Package Type, Style** options.

## Questions & Answers

**Q: Is this a "macro" lens? I needed a lens for microscopic detail.**
A: No. This lens has a magnification factor of .31. True macro lenses have a magnification of 1X (meaning the object is actual size on the surface of the sensor) or more. I'm not sure how small your intended subjects are but a macro lens might not be powerful enough to reveal truly microscopic details, i.e., great for insects, not so helpful for cellular structure.

**Q: Any advice on what lens to buy to take shots across soccer field?**
A: I know this is an older question, but I see a lot of similar questions and want to put some info here for everyone to see.

Sports like soccer, baseball/softball, or really any outdoor sport played in decent light can take advantage of lenses like this.  The limits of the aperture make it more challenging for indoor sports like basketball and volleyball.  But for soccer, you really can't do better than this lens for its price.  There is also the 75-300mm lens that sometimes gets bundled with cameras, but I really think this lens is better in almost all ways.  Better image quality, better focusing, and also has IS.  On a crop sensor camera, both will have plenty of range for soccer.  I actually have used a 55-250mm for soccer, and it did fine.  Plenty of reach, and plenty good photos.  Will it be professional quality?  Well, no, but it is pretty good for what you will pay.

There is also an updated version of the 55-250mm, the IS STM version.  It has some nice upgrades, but is over twice the price new.  You can find them on ebay or refurbished for about 150 USD, so if that is ok with you, then I would recommend it.  It's probably the best telephoto for less than 1000 USD.

If you would like some more info about the 55-250mm lens, you should check out my review on my profile.  It covers the pros and cons, offers advice for how to use it, and also has suggestions for other lenses that might be better for you.  There are also sample images, and it is the #1 review on amazon for this lens.  Here is a link to the review.  https://www.amazon.com/gp/customer-reviews/R1QA3NW3157QWO?ref=pf_ov_at_pdctrvw_srp

**Q: Will this work on the 80d?**
A: Yes, it will, your camera can use all EF and EF-S lenses.  There is a newer version though, the EF-S 55-250mm F4-5.6 IS STM.  There are some fairly important updates to the STM version; here is a list of the most important ones…

1.	STM v Micro motor focus – The IS ii has an out of date focusing system, which is slow, noisy, and seeks for focus too much, especially zoomed out.  The STM focus is faster, smoother, and nearly silent.  It also supports continuous focus in movie mode, but only the t4i and newer models.  The barrel extends during focusing too, and the IS ii is a bit wobbly fully extended, and the STM is much sturdier.
2.	Rear Focusing – the IS ii version has a front element that rotates during focus, a problem if you are trying to use any kind of filter that needs to be positioned in a specific way.  This makes it challenging to use a circular polarizer and graduated ND filters.  The STM version uses rear focusing, and the front element does not rotate, which eliminates this issue.  
3.	Improved Optics – There is a noticeable difference in image quality from the IS ii and the STM version.  The STM is sharper at all ranges of the zoom.  

All this does come at a cost, an increase in cost to be exact.  The IS ii can be had for a little more than 100 USD right now, and the STM is 300 new.  If you already have the IS ii and have no intention of getting a higher quality lens (like the EF 70-200mm F2.8L), then it might not be a bad idea to get the STM version.  If you don’t have either, then it is no contest, get the STM, as it is possibly the best telephoto for under a grand.  

If you would like more info about the 55-250mm lens, you should check out the review I have on my profile.  It covers the pros and cons, offers advice for how to use the lens, and even has suggestions for lenses that might work better for you if you have the budget for them.  There are also sample images taken with the lens.  Here is a link to the review.    https://www.amazon.com/gp/customer-reviews/R1QA3NW3157QWO?ref=pf_ov_at_pdctrvw_srp

**Q: Will this fit on the 70d?**
A: Yes. It will. This lens fits all the Canon bodies which has white square marked on lens adapter side.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Great Value for a f4.0-5.6 lenss
*by K***E on August 31, 2010*

I bought this lens at same time as the Canon T2i to pick up where the 18-55 kit lens leaves off, and have taken some very good photos with it. However, I learned taking photos at the Patriots vs Rams pre-season game that I will never get "pro" quality photos at night, not even at professional football games where the lighting is very good to ensure tv viewers get good visibility. Even with ISO at 1600 I was able to manage a shutter speed of only 400 at f5.6, not enough to get crisp shots of moving players. Shots taken when there was a slow down or pause in the action were very good, even at the above mentioned settings, but when the players were moving rapidly, the shots were a little soft. Post processing made them very satisfactory for personal enjoyment, but not for more more ambitious use. Earlier I might have given the lens a 4, maybe even a 3, because of my game experience, but since the game I have learned a lot about lenses and I now know that the relatively low-light photos I got were the best I could expect from this f4.0-5.6 lens. If I were going to shoot a lot of night sports, I would be saving for a 2.8 zoom lens, but they are very, very expensive for a good one. An f2.8 lens is a much faster lens than a 4-5.6 In day time settings, I have consistently gotten clear, sharp shots but have not yet tried shooting kiteboarders, something I enjoy doing. However, my expectation is that I will get good shots because I'll be shooting during the day and able to shoot at 800 at a minimum, more likely 1000. I have been practicing taking sports photos by photographing the batters in action for several local teams. Two of these games were in the late afternoon and I was shooting at 5 pm or later in October, meaning that light was becoming low. For these shots I put the camera in Tv mode and set the shutter speed at 1000. ISO was on auto and the camera was allowed to select the best ISO up to a maximum of 1600. At this time of day, even in the autumn light, I got very crisp shots. Many required some processing to improve exposure, but the results were very satisfactory because the subjects were sharp. People to whom I have shown the photos said they were "great". In summary, for what I do most of the time, this lens is excellent. And I really appreciate the image stabilizer. I can't imagine buying a lens without it since 98% of the shooting I do is hand held.

### ⭐⭐⭐⭐⭐ Wonderful Lens for the Price!
*by K***E on April 3, 2014*

5 stars for the image quality considering the price! If you are looking for an inexpensive zoom lens, this is the one for you! After much research, it seemed that this lens was the best in my price range. No, it is not as good more expensive L lenses, but I think that would be expected. If you want the best, you have to be willing to pay for it. But the 55-250 gives excellent performance for under $300! We have lots of wildlife where I live, but I have never been able to get decent shots with my 18-55mm kit lens or 50mm because they don't reach the distance needed. Since I will be using my zoom lens less often and as more of a hobby, my budget was low...especially since I am looking to buy a prime lens for portraits where I hope to make money. I was not expecting too much because I was not paying for an L lens, but after using the 55-250mm for myself, I am extremely happy with it (considering what I paid for it), and very pleasantly surprised! I bought it over the 70-300mm because of the IS, and honestly, the extra 50mm wouldn't be worth it unless you used a tripod. The IS allows for handheld shots, which makes it great for a walk-around lens. It is plastic, but that means it is lighter than most other lenses of this focal length. Images with this lens are very crisp, and the bokeh is beautiful. At 250mm, you can easily capture birds in the trees and amazing close-ups of plants. I know some people have complained about slow auto focus, but that has not bothered me because I manual focus 95% of the time. You will probably need to correct color slightly in Lightroom, Photoshop, or GIMP, but I always edit my photos slightly anyways. I look forward to shooting even more with this lens! Overall, this lens is the best bang for your buck!

### ⭐⭐⭐⭐⭐ Another solidly square deal from Canon
*by R***N on March 23, 2013*

First things first: If you own a pricey, high-performance sports car, you don't saddle it with tires made for a sensible family sedan because, gosh, they were such a great deal. You'll be sorely disappointed in the results, and you'll look like a dang fool in the process. Similarly, if you own a sensible family sedan, you don't throw a bunch of money at fat, sticky tires made for a sports car to put on it in the hopes you'll feel like Mario Andretti eyeing checkered flags. See outcome above. In other words, pro-quality glass goes on top-notch, full-frame cameras. APS-C cameras like the Rebel series get the EF-S glass. That way, everybody should be happy. That out of the way, on to this lens. I had no qualms ordering this lens owing to my experience with other of Canon's more popularly-priced offerings. My Rebel T3 has proven to be a gracious amount of camera for the price of a song (or close to it). Plus, my experiences with my Canon EF-S 18-135mm and 50mm f1.8, and past experience with their Powershot SX30 "superzoom," has taught me that Canon knows how to pack a fair amount of punch into modestly-priced glass. So when my 55-250mm arrived at my workplace, today, I tore out of the office as soon as possible to take advantage of the remaining daylight to see what this baby could do. And I'm not at all disappointed. Even at twilight in my local cemetery, the IS held true for full-zoom shot after full-zoom shot. The darker things got, the more the auto-focus hemmed and hawed, but that was to be expected. When this happens, I look for the sharpest amount of contrast at the focus point to help the lens out, or know it's time to go to manual focus. These are quite the handier options to having to haul out the tripod (not that I don't value having my tripod for when it's absolutely necessary, but it does tend to cut the feeling of spontaneity one gets hand shooting). Reviewing the results on my computer screen, I am thrilled at the amount of detail this lens can capture, and at the remarkable DOF and purdy bokeh it can generate. I can tell we're going to be best buds for years to come. And let's not forget -- the ostensible 250mm reach translates into 400mm when multiplied by the 1.6X crop factor. Say hello to the craters on the moon. Prior to purchasing this lens, I was toying first with the idea of the Canon 75-300mm lens. But the lack of IS was a deal breaker, for me, and I'm not in a position to spring for the IS version of that lens. Then I toyed with the idea of a 2X converter. But that's an automatic two full stops down on the max aperture of the lens you couple it with. Like the lack of IS on the 75-300mm, this just seemed like unnecessary baggage to burden myself with. And so the 55-250mm with IS became the sweet voice of reason. Finally: My goal with my pictures is mood and effect, so I believe heavily in the transformative powers of Photoshop. However, I've posted some unadorned shots made with this lens as a taste of what it can deliver.

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*Store origin: AR*
*Last updated: 2026-08-28*