La strada (The Criterion Collection) [Blu-ray]

La Strada. Classic film. One of Fellini's best. I have yet to watch the DVD I just ordered though. It will take some time though since I have a busy schedule.However...based on my past viewing experiences of this movie, it's always a cinematic joy. One of movie history's true masterpieces, not exaggerating either.Not to mention, I'm trying to help a business (Sun Moon & Stars) that is trying to build a strong reputation for itself by giving them a 5 star rating because the receipt I got in the mail envelope politely asked me to and I thought, sure, why not? I have nothing better to do. After all, I did receive the DVD rather promptly. In fact, I don't think I've clicked buy just yet (wink). Rather peculiar, wouldn't you agree?...but some say we live in the meta-verse, except legitimate scientists, of course. They're still living in the world of facts and solid evidence. Stupid Neil DeGrasse Tyson and that sarcastic German lady from YouTube who's always having a bad hair day and whose eyes are perhaps a tadbit too close togther, but that's her charm as well as her sharp wit.Proof as opposed to poof...where did it go? Scientists! They always ruin everything by being so darn tootin' pedantic. No magic here, they say. Just science.La Strada definitely is magic or rather brilliant filmmaking.Italian. 1950s. Black and white. Circus travel show. Ragtag misfits. Fellinesque. Humorous. Deeply sad....all at once. Buy it. Watch it. Not Jeanne Dielman, a 1970s Belgian movie (thank goodness, La Strada isn't this) about a widowed woman who cooks and cleans all day while scolding her son about reading at the dinner table and, occasionally, turning a trick or two with middle-aged men, a movie many so-called serious movie critics have called the best film ever made. (What have they been smoking?)Nope and I'm not talking Jordan Peele either. Widowed mother movie is a snooze fest at best. Although it appears she makes good soup. So, I'm guessing since she dedicates half the movie making it.Anway...thanks for reading this review. And, buy La Strada and enjoy it because if you like old foreign films, you'll certainly love this one.

One of the finest films ever made; `La Strada' is a magnificent feat in cinema. I have been a fan of Federico Fellini ever since seeing the magnificent `8 ½', but I must confess that `La Strada' is the best film I've seen from him and the one that will continue to shake me for years to come. A beautiful, yet tragic tale of love and ignorance, and love IN ignorance, `La Strada' is a priceless portrayal of ones inability to transcend their own ingrained survival instincts and embrace what is right in front of their face; love.The film seems like a simple tale. Gelsomina is the eldest child in a poor single parent family who is sold to Zampano, a muscle-bound sideshow act who had previously purchased Gelsomina's sister (who is now deceased). Gelsomina is a simple girl, not too intelligent and completely naïve to the way of the world. Zampano is not much different though, even if he seems it. He too is a simple man, but he is less ignorant when it comes to the world and more ignorant when it comes to human relationships. He seems on the outset to be cruel and demanding, but he is merely acting in the only way he understands, most likely the way he was treated as a child. He thus treats Gelsomina, not as a lover or a wife but as a child, disciplining her with beatings and putting her down, constantly controlling her. When one really dissects his actions though, they are clearly expressions of love gone terribly wrong.Unlike the `monsters' created in cinema today to express the severity of spousal abuse, Zampano is far from a monster. He is a confused and conditioned man, lacking the ability to break his shell and better himself.Gelsomina is your typical victim, but her stunted comprehension of society's workings makes her almost a victim of herself. She finds herself thrust into a world that she is not privy to, and instead of learning to adapt she forcibly resists, or just cowers in cowardice. She lacks the drive to find herself, even though she is given the perfect opportunity to become her own person. When she does attempt to make those steps she backs down at the first sign of opposition, which leads her to coil back even further into the shell she builds to protect her from harm.The one thing that I think cannot be argued, but so frequently is, is the fact that Zampano and Gelsomina are in love. I know that this may seem odd and maybe even impossible when one looks at the events taking place, but events must be considered in context, and context to me proves that these two were ignorant in their own understanding of love, thus they acted foolishly and tragically in the name of a feeling they were too prideful, and maybe even stupid, to acknowledge. I don't want to get into much of the film, and especially not the ending, but when one watches the film I think it is important to look at the unseen as much as the seen. The actors do a masterful job of exposing their character's inner motives without really exposing them, keeping up a guard and making you wonder.When that guard is broken down by the discerning viewer a completely different conclusion can be drawn.The performances are all brilliant, especially Giulietta Masina who is startling as Gelsomina. Her almost speechless performance is elevated by her ability to convey so much with her face (that cute little artichoke). She has an almost theatrical quality that really fits the tone of the film well (beings that the circus is a major theme) and so it shows that she was observant of her character's surroundings and incorporated them into her performance. Anthony Quinn is also stunning as Zampano, giving him a layer of almost undetectable vulnerability (like I said, the unseen). I also really enjoyed Richard Basehart's jovial portrayal of Il Matto, Zampano's circus rival. His character is really one of the most challenging to discern, but when one finds their impression of the man then, and only then, can they understand their feelings of Zampano and Gelsomina. He is really the crux in their relationship, and ones impression of Il Matto greatly influences their impressions of the two leads.This film is truly an outstanding cinematic accomplishment and rests easily at the top of my personal favorite films of all time. It is beautifully shot, expertly paced, crisply directed, brilliantly acted and, above all else, marvelously written. It covers all of it's bases in a way that many films cannot.This one is definitely essential!

Für Cineasten ein Muss, für andere eine Entdeckung wert

Tutti dovrebbero vedere questo film che fa parte della storia e della cultura italiana

Sous titre en anglais uniquement

This remarkable movie has not faded with age (I first saw it in ca. 1956). The story is set in a city where street musicians and entertainers are commonplace and often bizarre. Emotionally, watching it is a somewhat draining experience, but worthwhile because of the convincing characterization of the principle actors. Definitely a one-of-a-kind movie, not necessarily to everyone's taste. Go see it for yourself!

Padrisima, el formato blanco y negro es perfecto para mi gusto, este tipo de cine es necesario tenerlo a la mano.